These 131 video monitors stacked in a grid present simultaneous, continuous footage of the German artist during the last year of his life. In this filmed diary-project that Dieter Roth executed while convalescing in Reykjavik and Basel, we see him not only working in his studio but also while he sleeps, bathes, and uses the bathroom. It is nearly impossible to pay attention to only one video without becoming distracted by an unexpected sound or movement coming from one of the many other screens. Each monitor broadcasts a different point in the artist's daily routine, while the gridlike arrangement of monitors reinforces a sense of order and chronology.
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A group of hometown friends come together after the loss of a loved one.
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From his photo-text canvases in the 1960s to his video works in the 1970s to his installations in th...
The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixe...
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A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself;...
IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard work...
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During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman ...
Documentation of three Survival Research Laboratories events, 1983-1984. Meet Stu, the SRL guinea pi...