These 131 video monitors stacked in a grid present simultaneous, continuous footage of the German artist during the last year of his life. In this filmed diary-project that Dieter Roth executed while convalescing in Reykjavik and Basel, we see him not only working in his studio but also while he sleeps, bathes, and uses the bathroom. It is nearly impossible to pay attention to only one video without becoming distracted by an unexpected sound or movement coming from one of the many other screens. Each monitor broadcasts a different point in the artist's daily routine, while the gridlike arrangement of monitors reinforces a sense of order and chronology.

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be ...

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked ...

This film was made out of the capture of a live animation performance presented in Rome in January 2...

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In his book "1984", George Orwell saw the television of the future as a control instrument in the ha...
A reflection on the iconic headquarters of the Johnson Publishing Company in downtown Chicago. The e...

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who...
In this video, the artist tries to overcome the effects of distance, and reflects on geography repre...
Presented without commentary, this film reveals the thinking behind the work of John Baldessari over...

From his photo-text canvases in the 1960s to his video works in the 1970s to his installations in th...

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Documentation of three Survival Research Laboratories events, 1983-1984. Meet Stu, the SRL guinea pi...