After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

This film was made out of the capture of a live animation performance presented in Rome in January 2...
"MVCK BATH" Liam Hartelli's first original short film. A Visually stunning and grotesque ballad o...

Leevi Pienihäkkinen’s tight experimental short documentary Peace and Silence dives into the Helsinki...

A collection of memories from a tumultuous time at University.

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pix...

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard work...

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and ges...
A video project meant to highlight the human cost in Palestine.

A dynamic, contemporary dance performance about how it is impossible to explain your deepest wishes ...

Composed entirely of AI-generated visuals and providing an abstract representation of the evolution ...

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

A surreal music video where a pop-up world of greed, rebellion, and revolution unfolds as cherubs, a...

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

The portrayal of a gargantuan baby splashing through silver paint.

The word “me” sinking into a bubbling puddle of metallic goo. The piece is about how narcissistic ar...

The model’s feet are uncomfortably squeezed into the heels, and her movements are slippery on slick ...

Placing a word widely acknowledged as amongst the most offensive in the English language into the ha...