During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

After the untimely death of his 35-year old brother, an artist explores the questions that surfaced ...

Yayoi Kusama born March 22, 1929 is a Japanese artist and writer. Throughout her career she has work...

Captures the avant-garde artist Yayoi Kusamas creative process as she diligently works to complete h...

Japanese avant-garde artist Yayoi Kusama is best known for her inexhaustible creations involving pol...

This short documentary explores the creative process of Mexican textile artist Victoria Villasana. H...

Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings Ge...

An exploration of the link between science and beauty through the work of scientists at CERN, in Gen...

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and begi...

Laura Cumming takes a journey through more than 500 years of self-portraits and finds out how the gr...

Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work ...
Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual p...

How did the Impressionists view the world? What relationship did they have with technique, with colo...

The pride of Napoleon's victories, the Arc de Triomphe, whose first stone was laid in 1806 at the to...

Tribute to Leopoldo Méndez, a prominent Mexican artist, considered the most important printmaker in ...

TWO OR THREE THINGS I KNOW ABOUT EDWARD HOPPER is an immersive experience in 3D, that takes its view...

Jake Chapman explores why Goya's The Disasters of War etchings are so central to his own art and exp...