During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."
A picture about the fine art of prehistoric times, the remains of which have been found in various p...
The first part of the documentary about the work of the Czech painter Mikoláš Alš called "The Song o...
The second part of the documentary about the work of the Czech painter Mikoláš Alš called "Glorious ...

A film about the artist Marlene Dumas: - There's no right way to portray or to understand someone. I...

Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performan...

Director Philip Haas and artist David Hockney invite you to join them on a magical journey through C...

A documentary short by Barbara Bingley-Verseman about the creation of a monumental outdoor mural by ...

A look at how form, color, smell, consistency, the sounds made during eating, manufacturing techniqu...

Arturo Urbiola, independent singer/songwriter, talks about the influence music has had on his life, ...

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing lo...

Through interviews and guerilla footage of graffiti writers in action on five continents, the docume...

Neculai, Aurel and Raj all left their homes in Romania for the same reason - to seek a better life f...

One Meter of Democracy (2010) challenged the endurance of viewers, as well as the courage of the art...

This film explores the transformation of an image from color negative to color positive on one film ...

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much contro...

Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts prese...

Offbeat performance artists The Blue Man Group have finally been captured live on this disc that fea...

Five female artisans from the Innu, Franco-Quebecois, and Zapotec peoples discuss their work. Their ...

The Ordinary Grand Film is the result of love at first sight with The Ordinary Grand Circus. With fi...