During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

Celebrating Billy Connolly's 75th birthday and 50 years in the business, three Scottish artists - Jo...

About Stefan Stricker, who calls himself Juwelia and has been running a gallery on Sanderstraße in B...

A film about the artist Marlene Dumas: - There's no right way to portray or to understand someone. I...

Manet’s portraits are rarely afforded such close attention as they are given in this exquisitely cra...

Howard Finster, the grandfather of the Southern Folk Art movement was a pioneer that showed the worl...

The documentary, filmed in England in autumn 2020, sheds light on the genesis and background of the ...

Documentary on the art and culture of Florence in 15th century Tuscany and, in particular, the work ...

Fernando Lemo's world is fiercely stripped of any external logic, as Jorge de Sena once said. His ar...

M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective w...

An incredible historic document showcasing the roots of Old School Hip Hop movement with all its dis...

Sam Roddick explores the enduring appeal of Botticelli's masterpiece The Birth of Venus, one of the ...

Alan Yentob profiles the most successful female architect there has ever been, the late Zaha Hadid, ...

Man Ray, the master of experimental and fashion photography was also a painter, a filmmaker, a poet,...
Fragments from a portrait of Jean-Louis Costes - sincere artist, versatile designer, poet of excess ...

A film documenting the soulful art, environments, and voices of self-taught artists on the back road...

Lyonel Feininger's work is as individual and unmistakable as he is himself. As a classical modernist...

How the art in the Detroit Institute of Art connects to life's experiences and the neighborhood.