During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

Documentary celebrating the LGBTQ contribution to the arts in Britain in the 50 years since decrimin...

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and ...

Howard Finster, the grandfather of the Southern Folk Art movement was a pioneer that showed the worl...

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of ...

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Documentary on the art and culture of Florence in 15th century Tuscany and, in particular, the work ...

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Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sarge...

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The film explores the sexual aspects of Serbian folklore. Ancient myths that have trickled into ever...

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Born in 1873 in a poor neighbourhood in Naples, Enrico Caruso conquered the world with his singing v...

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Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, ...

About the art explosion in Amsterdam during the 1980's when artists of all sorts found spaces and pl...

This documentary features a kinetic artist who creates vibrant mixed media works that push the bound...

The sculptor and painter Agueda Lozano narrates the first contacts with plastic art that she had in ...