Director Anthony Ramos joins his good friend, painter Frederick J. Brown, on a trip to Beijing for a retrospective of Brown’s work at the National Museum of China in Tiananmen Square in 1988, the first retrospective of an American artist in China.

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M....

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard work...

Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving bet...

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pix...

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has f...

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/d...

Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Ka...

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who...

For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weap...

In his book "1984", George Orwell saw the television of the future as a control instrument in the ha...
In this video, the artist tries to overcome the effects of distance, and reflects on geography repre...

Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010

The Machine That Killed Bad People is about the cultural and political history of the Philippines le...

From his photo-text canvases in the 1960s to his video works in the 1970s to his installations in th...
Presented without commentary, this film reveals the thinking behind the work of John Baldessari over...

This live show features the energetic analysis of television network news by Brian Winston. Winston ...
Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offsc...

Someone born in the 1990s, who never actually lived in 1990s Istanbul, can only long for what they’v...