Director Anthony Ramos joins his good friend, painter Frederick J. Brown, on a trip to Beijing for a retrospective of Brown’s work at the National Museum of China in Tiananmen Square in 1988, the first retrospective of an American artist in China.

A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super H...

On the occasion of the Taipei Biennale, Me, my friends and my gallerist went to Taipei city, then fo...

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools...

Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving bet...

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has f...

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard work...

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pix...

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M....

Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Ka...

In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in th...

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/d...

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked ...

This film was made out of the capture of a live animation performance presented in Rome in January 2...

A 1970 projection of what may come when pollution over powers nature.

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who...

The Machine That Killed Bad People is about the cultural and political history of the Philippines le...

For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weap...