This live show features the energetic analysis of television network news by Brian Winston. Winston looks at the news as a unique institution, governed by its own conventions and constraints.

This film was made out of the capture of a live animation performance presented in Rome in January 2...

On the occasion of the Taipei Biennale, Me, my friends and my gallerist went to Taipei city, then fo...

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has f...

Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving bet...

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked ...

The impact of Marx on the 20th century has been all-pervasive and world-wide. This program looks at ...

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard work...

a poem. trees. fragments of fritz. love—and nothing besides!

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pix...

The author Carl-Göran Ekerwald has written more than 50 books. At the age of 87, a new chapter in hi...

A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super H...

Examined Life pulls philosophy out of academic journals and classrooms, and puts it back on the stre...

In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in th...

In a world that spins faster and faster, bibliomaniacs take refuge from the rush and the noise insid...

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. ...