Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M....

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate text...

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard work...

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pix...

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has f...

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the met...

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/d...

A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he ...

Arbitrary Logic, an interactive audio-visual synthesiser was first presented under the working title...

Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Ka...

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who...

Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.

For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weap...

In his book "1984", George Orwell saw the television of the future as a control instrument in the ha...

Director Anthony Ramos joins his good friend, painter Frederick J. Brown, on a trip to Beijing for a...
In this video, the artist tries to overcome the effects of distance, and reflects on geography repre...

Experimental video art set to the track "Place I Know/Kid Like You" by Arthur Russell.

Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring ...