Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day to night and the influence of the weather gives motion to the segments. He condenses a total of 3,000 individual web images taken from the Internet into one scene. Despite the cinematic motion of the image, it seems like a still photo.

The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last...

This short film, built around a randomly chosen name and composed of scenes shot within a single roo...

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Ot...

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard work...

This cacophony runs over me, over everything I see, everything I want to see: it's me.

Still it's really tall. Still it's really floundering/falling/fading.

Strings together what's strung together (please use yr tether).

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Rather pointless, rather stilted, fetid; not what we want us going after.

The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of t...

It's time the times met each other over & over.

Don't ask me why, but I feel we're about to cry trying.

Say Om as you reach home only to realize you never really left/stopped saying Om.

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound ...

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after th...

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms...