The artist is balancing a video-camera on a tripod the top of which is poised in the palm of his hand. The lens of the camera is directed downwards so that it acts the part of witness and hostage of the action at the same time. Although the camera, together with the hand holding it, is keeping moving, it is seemingly staying still, and the floor the author is standing on appears to be sliding away. The video lasts as long as the artist retains the control over the equilibrium of the camera.

This film was made out of the capture of a live animation performance presented in Rome in January 2...

On the occasion of the Taipei Biennale, Me, my friends and my gallerist went to Taipei city, then fo...

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has f...

Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving bet...

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked ...

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard work...

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pix...

A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super H...

In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in th...

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M....

A 1970 projection of what may come when pollution over powers nature.

Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Ka...

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/d...

In his book "1984", George Orwell saw the television of the future as a control instrument in the ha...

An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into s...

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools...

Pia Yona Massie's Sayonara Super 8 uses personal archival footage to ask questions about the fragile...