Departing from the traditional factory lines of production on the plastic plant manufacturing industry. From there, the film expands into the realm of synthetic nature, portraying a highly engineered landscape,developed by startups. The images appear to be bound together by a dark slime—an oily, recurrent presence as a connection to the strange and gory logics of petro capitalism and global territories of extraction.Petroleum, in both refined and unrefined forms, serves as a temporal vector: it is the raw material for plastic plants, Revealing the absurd techno-solutionist vision of the future.

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has f...

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard work...

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/d...

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked ...

A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super H...

An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into s...

A 1970 projection of what may come when pollution over powers nature.

In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in th...

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who...

Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series ...
In this video, the artist tries to overcome the effects of distance, and reflects on geography repre...

For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weap...

In this program video artist Gary Hill uses a number of his pieces to investigate otherness and ambi...

In his book "1984", George Orwell saw the television of the future as a control instrument in the ha...
Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offsc...

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself;...

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boy...
Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoust...