In his contribution to the On Art and Artists interview series, Nathaniel Dorsky (b.1943) begins by discussing his childhood love of the John Ford film Stagecoach and its influence upon his decision to make films while attending Antioch College. Describing the affinity he developed for work operating at the intersection of film materiality and personal language, Dorsky explains how he developed his philosophy of the “devotional film” and the “microcosmic viewer.” Dorsky likens his practice to Buddhist sculpture, referring to himself as a “Japanese poet continuing aspects of the ethos of the Marxist revolution.” In the interview, the artist describes his use of the screen as an “altarpiece for the image” and emphasizes his use of editing to create works which “harmoniously coalesce.” Interview conducted by Jeffrey Skoller in May 2000, edited in 2014.
Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard...
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the F...
A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growin...
A pulsing, kaleidoscope of images set to an energetic soundtrack. This is a world in motion, dominat...
Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised g...
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their resp...
Twenty images of a camera running next to a chemical platform and capturing abstract light throught ...
A viral video shows a mysterious figure walking along the edge of the woods each day, and filmmaker ...
An experience of a camera swinging in different gestures facing the optical distortion of the Sun. T...
The author's erotic imagination is mixed between desire and magazine clippings, and the trade of col...
Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.
'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoir...
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mou...
Fifteen images of a camera running in a park and in obscurity searching the space of light through d...
Christopher Isherwood’s maxim "I am a Camera" has seldom had such eloquent aesthetic expression as t...
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself;...
A meditation on childhood, loss, and the desire to recreate one’s innocence; the recalling of memori...
Stan Brakhage is a film maker whose work is shown mainly at film festivals. His work has been likene...
A documentary like no other. Starting with the bizarre practices and fantasies of a group of filmmak...