Proximities focuses on the trope of the Malay Boy found in the works of Singaporean artist Cheong Soo Pieng (b. 1917-1983). It attempts to locate the Malay male in art history while unpacking underlying systems of power that have shaped and naturalised the understanding of difference.

"Den Pobedy" (Victory Day) is counted among the most important celebrations for many former Soviet R...

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M....

An immigrant's last attempt to restore childhood innocence on strange lands.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their resp...

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. T...

A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super H...

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pix...

Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving bet...

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools...

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has f...

Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Ka...

In Junior War, a throng of highschoolers congregate at night for a party in the woods sometime in th...

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/d...

A stop motion/collaged based independent short film plays with the recontextualisation of memories a...

HSP 100 is a portrait of experimental filmmaker Maximilian Le Cain. As Le Cain discusses his life, w...
The film poem about pesticides reflects on the return to the natural food chain, in which insect pes...

In his book "1984", George Orwell saw the television of the future as a control instrument in the ha...