Proximities focuses on the trope of the Malay Boy found in the works of Singaporean artist Cheong Soo Pieng (b. 1917-1983). It attempts to locate the Malay male in art history while unpacking underlying systems of power that have shaped and naturalised the understanding of difference.
A roll and a half made to delight in color and the presence of friends. Steps toward learning to rea...
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself;...
The funniest thing happened to me the other day...
The author's erotic imagination is mixed between desire and magazine clippings, and the trade of col...
In his contribution to the On Art and Artists interview series, Nathaniel Dorsky (b.1943) begins by ...
Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pix...
IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard work...
In the present work, the artists appears lying on his back, his eyes mostly closed, dreamingly liste...
'Hibiscus' highlights the city's hidden beauty and the warmth of its people that may go by unnoticed...
Flooded McDonald's is a new film work in which a convincing life-size replica of the interior of a M...
Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the co...
Bits and blocks are the home of the Super Vario Birds who are dancing to the 8bit symphony of Ludwig...
A dream where obsession for German as a second language mixes up with an obsession for neatness and ...
“Persistencies of Sadness & Still Days”, is a four hour feature film by Maximilian Le Cain and Rouzb...
A short experimental film about the human race taking over nature.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked ...
Stan Brakhage is a film maker whose work is shown mainly at film festivals. His work has been likene...