The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).
Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show moti...
A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark ...
A man waits. He longs for and mourns for, his increasingly disconnected and disparate love for a per...
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series ...
Still Life #02 is part of a broader investigation on our relationship with images and their immateri...
On Inauguration Day 2017, the filmmaker spent all day in a Washington, DC, used bookstore, where he ...
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by mod...
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic...
In the late '90s Balazs's family is falling apart front of his brand new VHS camera he got for his 8...
A piano player is able to perform a Chopin piece backwards and Galeta will film it backwards and for...
A camera calligraphy of the coastal bush -- celebrating growth, summer light, rock and plant texture...
Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of on...
A short documentary about Dave McKean's process of creating an image.
A group of musicians seem isolated from the world playing beautiful pieces. But in the darkness of t...
Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her pas...
Five passengers encounter a mysterious woman on a train. While we strain to hear their whispers, we ...