A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".

"My last image of Jonas."—Ken Jacobs

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in ...

Freely adapted from a story by Marcel Schwob in 'Screw imaginary' and deeply focused on the thought ...

The second part: Brakhage’s layering of images spends less time with images of war, and begins filte...

An invitation to enter the soul of an artist - director Erick Ifergan - through a highly personal re...

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape,...

A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi ...

Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the ne...

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light dis...

The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian ...

The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and a...

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality...

Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his ...

Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed abou...

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzli...

This is a time when we learn afresh that nothing lasts forever and that the variability is an integr...

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms...

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.