Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

An old man, cut off from his future and his past, brings a young taxi driver into his game. The two ...

In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage...
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pi...

Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has ...

A meditation on freedom and technological approaches to manifest destiny.

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is...

In the final days of the American Civil War, an emigre Hungarian military officer attempts to map th...

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his i...
An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of ...
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-...

A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During th...

An experimental film about a peaceful and carefree life in a small Dalmatian town, which turns into ...

HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices t...

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by mod...

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape,...

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

An experimental journey through a year in the life of the director, using his always playing playlis...

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic ...

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly politica...

Rather pointless, rather stilted, fetid; not what we want us going after.