Thomas Hirschhorn, one of the few Swiss artists of world renown, often touches on social wounds with his provocative works. In 2013, Hirschhorn built a monument for Italian philosopher and communist Antonio Gramsci in a public housing project in the Bronx. The contentious artist collaborated with neighborhood residents whose everyday life is impacted by poverty, unemployment and crime. Conflicts and misunderstandings are bound to arise as Hirschhorn’s absolute devotion to art is confronted with the resident’s lack of prospects and fatalistic outlooks. The «Gramsci Monument» becomes a summer-long experiment where diverse worlds collide: blacks and whites, the art elite and street kids, party people and poets, politicians and philosophers. A nuanced film about art, politics and passion.

An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in th...
Tom Hill, a Seneca artist and curator, explores the works of four contemporary Indigenous artists.

Between 1950 and 1966, thousands of men set off into the high mountains of the Valais, into a primit...

Switzerland is presently the only country in the world where suicide assistance is legal. Exit: The ...
Rudolf Buth, 86, leaves his 45-year-old apartment due to loneliness and moves in with Pauline Papper...

The Salecine meeting place, founded near Maloja in 1971 by Zurich communist bookseller Theo Pinkus, ...

The film interweaves the stories of two generations of Palestinians. It tells the story of Elias Jub...

The impact of Marx on the 20th century has been all-pervasive and world-wide. This program looks at ...

Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a st...

Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a ch...