Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.

Kick That Habit is a 1989 film by PETER LIECHTI, an audio-visual portrait of his native country, eas...

It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, ...

Every summer, many people transit by sea between France and Algeria, between Marseille and Algiers. ...

What Swiss director Stefan Schweitert did for accordion music and for yodeling (Accordion Tribe, Cin...

In the Church of the Holy Sepulchre, in the heart of Jerusalem, six different Christian denomination...

The Grüninger case from Switzerland. This is a documentary about a police officer who showed civil c...

The father tends his large garden with the utmost precision. The mother irons shirts and regrets tha...

How can structures, which take up defined, rigid portions of space, make us feel transcendence? How ...

“Namibia Crossings” takes a trip through a country of archaic beauty and bizarre contradictions. The...

Thomas Hirschhorn, one of the few Swiss artists of world renown, often touches on social wounds with...

Hidden in the wooded mountains on the west coast of Japan lies the small Zen monastery Antaiji. A yo...

Memoirs of the Italian Opera by the singers and musicians of the Casa Verdi, Milan, the world’s firs...
In Protestant Zurich, people with money avoid flaunting it. Wealth fascinates, but it also arouses j...

The Making of a Dream is a cinematic essay on stories of dancers. It shows joys and pains from the f...