Using a 35mm strip of motion picture slug featuring the recently deceased American comedian Richard Pryor, this extended Rorschach assault on the eyes moves out of a flickering chaos created by incompatible film gauges into a punchline involving historically incompatible racial stereotypes.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footag...
"A fine fine example of spaces between existing as objects themselves. A patternistic and memorializ...

Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has ...

A teenager decides to shut himself off from the world around him after receiving bad news.

This is a story of love seen from a square, in which a couple gets united, separated and rearranged ...

A short experimental film about a fire hydrant, a busy sidewalk nestled between an electrical post a...

After ending a very close relationship, Manuel falls into melancholy and begins to rethink his way o...

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by mod...

Begotten is the creation myth brought to life, the story of no less than the violent death of God an...

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made t...

A non-narrative cine-essay that collaboratively explores the potentials for trans feminine represent...
the quarry is a silent document of five minutes in the presence of the sublime. This small, quiet 16...
An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed...

Wanderings of the young Ami in the streets of Kabukicho, Tokyo.

Wax and wane until there is naught but boring pain.

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

An overdressed girl tries her luck in dance events that are for Finnish tourists in a small Estonian...

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some ...