In the old projection room of a cinema something comes to life. 24 frames per second. 24 beats per minute. The analogue film is infinite. ∞

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as ch...

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in ...

In a village of Cuba devastated after trying to imitate the north american suburb model, a sound rec...

Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a p...
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, ...

This video art experiment and survey on human's visual and sound perception which have an influence ...

The walls of video rental shops in Japan are lined with hundreds upon hundreds of animation DVDs, bu...

A production company begins casting for its next feature, and an up-and-coming actress named Rose tr...

An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into s...

Glimpses of lives from a village in Assam reveal the relationship between its history and the presen...

A sampling of forty-nine fragments from Frampton's catalogue of 'actualities', the films from STRAIT...

Automatic-writing on film, using double exposures, macro imagery, dissolves, and in-camera editing t...

An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning...

Norman’s father was a society portrait painter. After his father’s death, Norman faces the burden of...

Creates a reorientation of vision in a union of sights and sounds which suggest a different way of a...