A snub to technological hegemony in the arts, particularly in the world of contemporary music. In the most trivial representation of the computer tool, up to 16,384 "mouse players" (performers playing plastic mice) play like virtuosos in the style of the children's game Simon.

CGI collage short film originally premiered as part of the 'Extinction Renaissance' exhibition at th...
An attic, a giant sewing needle and an anti-gravity fairy tale of sibling rivalry. Three sisters fig...
A fiction science monologue about artificial fertilization and its consequences, delivered by four c...

A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super H...

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools...

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate text...

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen ...

'Ki or Breathing' is a spare concoction assembled from slow motion shots of nature and set to a scor...

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard work...

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pix...

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has f...

This film was made out of the capture of a live animation performance presented in Rome in January 2...

Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving bet...

TECHNICOLOR DREAM is a video art of vivid imagery and symbolic scenarios. It is a portrayal of passi...

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M....

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp ter...