"Plasforms" is above all a visual composition, the relevance of the camera's absence, continuing in its time the plastic tradition of seeing. It is the exposure of the digital medium itself, a choreography of ghost images mechanically imitating the artificiality of a process.
"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, anim...
Part one of the two part abstract video art-piece, with music composed by Philip Glass and performed...
This film was made out of the capture of a live animation performance presented in Rome in January 2...
In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the...
A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this m...
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sa...
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde soun...
Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson
Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the met...
The term hysteresis soberly describes a processual behaviour where the previous history affects the ...
Real time development of a video feedback, processed and controlled through a video keyer. Sound res...
A nomadic homunculus ranger lives in the derelict wastelands of Neo Kansas City 2, where they barely...
A meditation on isolation through paint textures, video collage and sound
A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he ...
In this hyper-realistic digitally rendered video, sandwiches are assembled in sequence. Each compone...
“The faster you break it the faster we make it,” says the wooden column at one point, going on to ac...
For Ed Atkins, Marten’s "Evian Disease" embodies ‘flatness’ in all its weightlessness, emotional def...