“The faster you break it the faster we make it,” says the wooden column at one point, going on to acknowledge the bounteous economic logic of this reality with the observation that “production is sealed in gold.”Early on we see the black-and-white striped house Adolf Loos designed for Josephine Baker. It’s a cardboard model, of course; the plans were never realized. The house is an idea, an image, a virtual presence, a possibility, a provocation. Later in the film it reappears, reconfigured in different materials with a different range of qualities and surface finishes. “Why do so many things look the same, and only one of them is good?” asks a female voice. This is not the column’s voice but that of someone who sounds much like Marten herself. It is, in fact, her sister, one Marten speaking another Marten’s words. After all, in order to manufacture glamour, a little plagiarism is essential. And this process—call it borrowing, copying, paying homage, whatever—is both violent and comic.

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When army of Gigans tries to invade and destroy the Earth, the only one who can stop them is Godzill...

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Barbie meets another Barbie Roberts, forming a close friendship, nicknaming each other Malibu and Br...

Elina goes to a fairy school to learn dancing and fairy magic. The spring of the fairy land is soon ...

With his best friends by his wings, a chirpy chicken leaves home for an exciting adventure to help h...

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Black and white animation based on Munch's art of work. The image changes gradually and resembles at...

A short pilot for what would be the first feature-length animated film by Jean Giraud and Medialab, ...