A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films.
From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a...
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Nov...
Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes...
The cooking show is as old as television itself. But why do we like watching the making of a meal th...
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is...
The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murci...
Everyday Maneuver is a video that presents the viewer with an unrealistic scenery. Shot from a drone...
The film shows the behind-the-scenes process of making a documentary about an author known for their...
A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following t...
The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922...
This documentary essay introduces a peculiar trio of men united by their passion for hunting. Each o...
A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; t...
Twenty-five films from twenty-five European countries by twenty-five European directors.
A personal essay which analyses and compares images of the political upheavals of the 1960s. From th...
In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut r...
Pole, who are you? This film collage that combines archival and contemporary materials, documentary ...
A visual essay on contemporary Kiwi architecture.