A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films.

A provocative and poetic exploration of how the British people have seen their own land through more...

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a...

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produce...

An exploration of how the U.S. military employs video game technology to train troops for war. In Im...

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why ...

Twenty-five films from twenty-five European countries by twenty-five European directors.
A documentary based on the mutual experiences of a trio of directors, which portrays life in the bor...

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and ton...

A street in downtown Warsaw transforms into a kaleidoscopic portrait of Polish society. Behind the v...

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome,...

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; t...

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is...

Filmmaker John Torres describes his childhood and discusses his father's infidelities.
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less hap...

Equal parts documentary, visual essay, experimental collage narrative, and parodic homage to and of ...

An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all t...

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike ...