A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films.

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, ...

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produce...

Twenty-five films from twenty-five European countries by twenty-five European directors.
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less hap...

A provocative and poetic exploration of how the British people have seen their own land through more...

Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscove...

Pole, who are you? This film collage that combines archival and contemporary materials, documentary ...

An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all t...

For a long time they were an integral part of our society, today they live neglected in our cities a...
In the fourth and final instalment of Karel Vachek’s not-so-little Little Capitalist Tetralogy, prep...

Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects o...

Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on t...

In 2010, an obsessed gamer designed the perfect game of Sim City. Achieved through a repeating patte...

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike ...

In July of 2021 there was a flood of catastrophic scope in the Ahrtal Region of Germany. 135 people ...

90's era home videos of a Mexican father starting a new life in the United States