A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films.

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produce...

Twenty-five films from twenty-five European countries by twenty-five European directors.

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, ...
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less hap...

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrato...

Pole, who are you? This film collage that combines archival and contemporary materials, documentary ...

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a...
An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". Fr...
The women follows a woman's journey to redefine herself after her husband's death, navigating newfou...

Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on t...

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike ...

In 2010, an obsessed gamer designed the perfect game of Sim City. Achieved through a repeating patte...
Belfast-born actor Stephen Rea explores the impact of Brexit and the uncertainty of the future of th...

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a ...

Three people become connected through mysterious circumstances involving electronic devices which sp...

Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floati...