A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films.

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a...

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and ton...

An exploration of how the U.S. military employs video game technology to train troops for war. In Im...

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why ...

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some d...

Twenty-five films from twenty-five European countries by twenty-five European directors.

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produce...

A provocative and poetic exploration of how the British people have seen their own land through more...
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less hap...
From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a...

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrato...

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committ...

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a ...

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike ...

An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all t...

Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floati...