A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films.

In addition to being a popular excursion destination, Äskhult's village outside Kungsbacka on the we...

In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut r...

A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive i...

The six-hour essay in four parts examines the history of regimes and revolutions, leaders and martyr...

Twenty-five films from twenty-five European countries by twenty-five European directors.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome,...

A visual essay on contemporary Kiwi architecture.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following t...

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; t...

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and ton...
An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". Fr...

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produce...

In 1829 the naturalist Alexander von Humboldt attempted a russian-siberian expedition. Humboldt trav...

In this deeply personal video diary, a young researcher tries to make sense of her fascination for t...
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less hap...
From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a...