A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films.

A street in downtown Warsaw transforms into a kaleidoscopic portrait of Polish society. Behind the v...

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why ...

Twenty-five films from twenty-five European countries by twenty-five European directors.

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some d...

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a...

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and ton...
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less hap...

A provocative and poetic exploration of how the British people have seen their own land through more...

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committ...

Photography trip to Bolivia filmed with a rostrum camera and edited with original sounds from the co...

The genius Spanish painter Salvador Dalí undertakes an amazing journey through the unknown mental te...

An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all t...

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike ...

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produce...
Belfast-born actor Stephen Rea explores the impact of Brexit and the uncertainty of the future of th...

Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floati...