The Spanish experimental filmmaker José Val de Omar turns three of his short films into a unitary work, full of meaning: Acariño Galaico; Fuego en Castilla; and Aguaespejo Granadino; creating a total journey through the world of the senses.

A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that sti...

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. T...

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mou...

To produce speech, a set of mechanisms must be brought together. What is the normal articulation for...

A hen questions the meaning of her life on a farm.

A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilie...

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only f...

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camarg...

A tactile exploration of the inherent duality of violence and sensuality in nature.

Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell ex...

Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsu...

Sara and Alberto spend their days at home. They look out the window and watch: spring is approaching...

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—...

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

A homogeneous structure of wind and light across tree branches in the South region of Isère

The long dead ghosts of celluloid are coming back to haunt the digital space.

“Beneath the Concrete, The Forest” is a short experimental documentary that takes us inside an ongo...