“Beneath the Concrete, The Forest” is a short experimental documentary that takes us inside an ongoing struggle inside the city of Atlanta, GA between two sides to determine the future of Weelaunee, the biggest contiguous urban forest in the country.

A dazzling journey through time via the remarkable images of National Geographic photographer Frans ...

Twenty-five films from twenty-five European countries by twenty-five European directors.
Short news featurette produced by Pathe-RKO after the Russians launched the first orbiting satellite...

A look at the state of the global environment including visionary and practical solutions for restor...

This film aims to capture the stories of the aging Isabella, but also captures her condition and los...
Forty four years ago, it seemed like a good idea to build a squat, concrete motel in downtown Columb...

While shooting “Flying over blue field” we lived in Birtonas sanatorium hotel. I was watching treatm...

Is that what mass graves are like, one body on top of the other and nothing else? Through the rain, ...

Pro basketball player Giannis Antetokounmpo narrates his journey reconciling himself with his roots ...
This documentary is featured on the DVD for Captain Blood (1935), released in 2005.

In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that...

To help visualize the dramatic final chapter in Cassini's remarkable story, NASA's Jet Propulsion La...

A post in the debate on Swedish forestry highlighting the difficulties and consequences of a hard de...
In 2002, Lana Kaiser became well known in the first season of the German version of the Idol televis...
HISTORY brings you an all-encompassing documentary event cantered around the 25th anniversary of the...

Driven to maintain social order, policing in the United States has exploded in scope and scale over ...

A short film made for "Venezia 70 - Future Reloaded". A homage to Paulo Rocha and Kenji Mizoguchi, f...

Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.