part 2 in the "LA in Lockdown" trilogy

The second in Larry Gottheim's ELECTIVE AFFINITIES cycle, MOUCHES VOLANTES is, in the filmmaker's ow...

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzli...
Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film m...

This, then, finishes eleven years of editing drawing on 30-some years of photography. I will surely ...

This hand-painted step-printed film begins in a field of white light slightly bespeckled with epheme...

A meditation on the human quest to transcend physicality, constructed from decaying archival footage...

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to v...

Fog has a curious effect on cinema. On the one hand, it precludes the production of those images tha...

"...Series of narrative events, stories if you like, but so clustered visually as to have a center s...

The following films were all made in 1976. I do not wish to describe them. —SB "Two portrait sketch...

Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the de...

A faceless protagonist witnesses the alienation of gentrification as his home is overtaken by develo...

This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still...

WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with ...

This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of t...

This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's ...