Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.
In the drug world, most stories revolve around men. But this one is about women. Some caught in the ...
Documentary where we know the work done by specialized teachers with students face barriers of learn...
Seven Asian-Americans discuss their experiences with racism and the spike in Asian-directed hate cri...
In the spring of 2018, the filmmaker Maria Petschnig befriended Marc who at that time was living in ...
Jeffrey Catherine Jones is one of the most revered comic book and fantasy artists of all time and a ...
Zeal & Ardor catapults Swiss musician Manuel Gagneux from the underground to the world stage. Religi...
For much of the 20th century, successive Australian governments pursued a policy of deporting and ba...
To celebrate the release of a new movie for their 20th anniversary, this documentary offers some beh...
A documentary part of CBS reports. The plight of mental patients fit for discharge, but who find the...
Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. W...
In September 2022, Bengaluru made national news when the IT hub region of Bellandur faced major floo...
What makes a male, and what makes a female? Where do we draw the line, and does it really matter? Sh...
A City Decides chronicles the events that led to the integration of the St. Louis public schools in ...