A companion piece to Pelourinho: They Don’t Really Care About Us (NYFF57), King of Sanwi continues Akosua Adoma Owusu’s exploration of Michael Jackson as a global pop icon. Here, Michael’s long affinity with the African continent—from the Jackson 5’s arrival in Senegal in 1974 to Michael’s coronation as an Ivorian king in 1992—is captured in vibrant, fuzzy archival video, made visceral by Owusu’s funky audiovisual collage and richly material direct animation effects.

Europe, 2028. A humanlike creature washes ashore, carrying with him a motionless body he calls his m...

Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes...

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of t...

Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of t...

In 1983, yacht sailor Will Parker leads an American crew financed by millionaire Morgan Weld to defe...

The following films were all made in 1976. I do not wish to describe them. —SB "Two portrait sketch...

Based on D.H. Lawrence's "Lady Chatterley's Lover" and one of the pioneering films of the Iranian Ne...

Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his loca...

A Schmelzdahin short wherein a print of a portion of Nosferatu (including the iconic shot of the vam...

After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I'v...

Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rh...

This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imi...

Ion is a seemingly normal guy whose life goes by without a hitch. A phone call; a meeting with a fri...
Poetic sci-fi film as an homage to Cinema, Cocteau, Goodis and to American B-series of the 1940s. Co...

This, then, finishes eleven years of editing drawing on 30-some years of photography. I will surely ...

In continuous motion with no end or barrier in its way.