In Familiar Slip (2019) Seraj revisits places of significance that have shaped her experience as an Iranian livingabroad. Seraj physically projects her extensive archive of videos from her life in Iran onto the domestic spaces of her current life in Canada and the US. Some of these places from her past, such as her grandmother’s home in Tehran or childhood school in Dehkadeh, no longer exist. Seraj re-stages the fragments of her memories through the process of folding time and collapsing space in an effort to carve out new neurological pathways, making use of the present to recreate the past, while recognizing the impermanence of all things. Familiar Slip is an attempt to fix these recollections into a more lasting medium: a requiem for faded memories.

A story of broken humanity following the invasion of a technologically superior alien species. Bleak...

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols)...

Without any sounds, dialogues and with unknown actors, the images are the focus of this film. Images...

From the re-appropriation of archive images with various contents (war images, soccer matches, socia...

An experimental film shot with the purpose of trying to create a hostile alien environment using onl...

"The filming of the entrance to the company dormitory in which the film-maker was living. Centering ...
"The majority of my 8-mm works were made for the three-minute "Personal Focus" film special put on i...

I turned my gaze to the various events in daily life and made this filmic diary in a manner as if co...

An eight-hour contemplative epic, entirely starring sheep.

A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in res...

The reception ebbs and flows as the unfamiliar landscape whirls by the window of a plane or train or...

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative...

The interface of contrary realities is torn. Passion and fear of unbelievable strength are connectin...

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, w...

CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode ...

A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find ...
A man and a woman converse wordlessly. An essential film dialogue. The accompanying sound was create...

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only bec...