In Familiar Slip (2019) Seraj revisits places of significance that have shaped her experience as an Iranian livingabroad. Seraj physically projects her extensive archive of videos from her life in Iran onto the domestic spaces of her current life in Canada and the US. Some of these places from her past, such as her grandmother’s home in Tehran or childhood school in Dehkadeh, no longer exist. Seraj re-stages the fragments of her memories through the process of folding time and collapsing space in an effort to carve out new neurological pathways, making use of the present to recreate the past, while recognizing the impermanence of all things. Familiar Slip is an attempt to fix these recollections into a more lasting medium: a requiem for faded memories.

Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the ne...

“My attempt at a filmic interpretation of Haraguchi Noriyuki’s ‘Inclined Horizon,’ a three-dimension...
“This film was made for an event that included an exhibition of artwork by Eishi Yamatomo. Yamatomo’...

In a village of Cuba devastated after trying to imitate the north american suburb model, a sound rec...

Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a p...

A divorced journalist Marko Požgaj starts his working day by taking his son to the school. During th...

An invitation to enter the soul of an artist - director Erick Ifergan - through a highly personal re...

Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the film...

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape,...

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as ch...

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in ...

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

This cacophony runs over me, over everything I see, everything I want to see: it's me.

I really hope this is well-received. I really hope there's some sort of reprieve.

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Ot...

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Combining high definition and Super 8 footage, Lampedusa is composed of interwoven narratives based ...

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after th...