In Familiar Slip (2019) Seraj revisits places of significance that have shaped her experience as an Iranian livingabroad. Seraj physically projects her extensive archive of videos from her life in Iran onto the domestic spaces of her current life in Canada and the US. Some of these places from her past, such as her grandmother’s home in Tehran or childhood school in Dehkadeh, no longer exist. Seraj re-stages the fragments of her memories through the process of folding time and collapsing space in an effort to carve out new neurological pathways, making use of the present to recreate the past, while recognizing the impermanence of all things. Familiar Slip is an attempt to fix these recollections into a more lasting medium: a requiem for faded memories.

“My attempt at a filmic interpretation of Haraguchi Noriyuki’s ‘Inclined Horizon,’ a three-dimension...

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only bec...

An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realiz...

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his ...

Based on D.H. Lawrence's "Lady Chatterley's Lover" and one of the pioneering films of the Iranian Ne...

A Schmelzdahin short wherein a print of a portion of Nosferatu (including the iconic shot of the vam...

This, then, finishes eleven years of editing drawing on 30-some years of photography. I will surely ...

A group of leftist activists expose the exploitation of immigrant workers by a criminal network with...

"...Series of narrative events, stories if you like, but so clustered visually as to have a center s...

The following films were all made in 1976. I do not wish to describe them. —SB "Two portrait sketch...

This hand-painted step-printed film begins in a field of white light slightly bespeckled with epheme...
Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film m...