In Familiar Slip (2019) Seraj revisits places of significance that have shaped her experience as an Iranian livingabroad. Seraj physically projects her extensive archive of videos from her life in Iran onto the domestic spaces of her current life in Canada and the US. Some of these places from her past, such as her grandmother’s home in Tehran or childhood school in Dehkadeh, no longer exist. Seraj re-stages the fragments of her memories through the process of folding time and collapsing space in an effort to carve out new neurological pathways, making use of the present to recreate the past, while recognizing the impermanence of all things. Familiar Slip is an attempt to fix these recollections into a more lasting medium: a requiem for faded memories.

This film is depicts early lesbian sexuality, using reenacted scenes from the experience of a 12-yea...

A memory-using location film of a stay with a uranium mining community. Using a kaleidoscopic array...
"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photograp...

Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a p...

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in ...

A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic ...

Three screams in a mental system composed of barbed wire and napalm. A plastic tank encloses the geo...

The evolution of mainstream pornography’s extremities and the early days of pay-per-view channels' n...
Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. ...

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

In "Mitzukos Dream" you watch sleeping people, each filmed for one night with a willdlife camera tha...

Rosso Fiorentino's painting "The Deposition of the Cross" comes to life. The Christ is gradually rem...

A meditation on the relationship between humans, nature, and technology.
Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film m...

A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in res...

The reception ebbs and flows as the unfamiliar landscape whirls by the window of a plane or train or...

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative...

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find ...

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, w...

CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode ...