In Familiar Slip (2019) Seraj revisits places of significance that have shaped her experience as an Iranian livingabroad. Seraj physically projects her extensive archive of videos from her life in Iran onto the domestic spaces of her current life in Canada and the US. Some of these places from her past, such as her grandmother’s home in Tehran or childhood school in Dehkadeh, no longer exist. Seraj re-stages the fragments of her memories through the process of folding time and collapsing space in an effort to carve out new neurological pathways, making use of the present to recreate the past, while recognizing the impermanence of all things. Familiar Slip is an attempt to fix these recollections into a more lasting medium: a requiem for faded memories.

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.

The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last...

Part 2 of Trilogy. Dedicated to Phil Solomon. The "Truths" of this film, which the title prompts, a...

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique rev...

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols)...

This is an experimental film featuring an allegorical audiovisual symphony of image, text (excerpts ...

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is k...

Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his ...

Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed abou...

The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and a...

This is a time when we learn afresh that nothing lasts forever and that the variability is an integr...

A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi ...

The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of t...

Rather pointless, rather stilted, fetid; not what we want us going after.

Italian immigrant kidnaps a wealthy British woman, and they fall in love.
An erotic, witty and disturbing film. An intriguing mix of fact and fiction.