One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)
Rolf and Susanne visit an indoor swimming pool. They learn how to buy tickets at the ticket office, ...
How can children communicate with other road users as pedestrians and cyclists? A pantomime also exp...

This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen f...

The sights and sounds of a kimchi factory in Vietnam.

Return to 'burn' only to find out you're already in that urn.

Having lost her memory, A. could barely recall glimpses of her childhood in Argentina. After her dea...

Based on Eimear Ryan’s essay ‘The Fear of Winning’, three successful female athletes explore how bei...

Twenty-five films from twenty-five European countries by twenty-five European directors.
A boy from the desert tries to sell a sand rose in the big city.

The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of t...
Young men are faced with a medical commission for army recruits and asked to choose where they want ...

The 1966 visit of Hollywood movie star Kirk Douglas at the legendary Polish State Film School in Lód...

Piwowski's documentary debut is a satirical reportage, referring to the poetics of the Czech school ...