The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian communist, have always been part of her life, although she never met them in person. Her uncle Hermann lives in what was once their house, with their furniture, Marx and Lenin busts, Hanukkah lamp, countless photos, letters and oil paintings. Through the film Judith Schein asks whether it is possible for a house and its interiors to narrate History.

“Nuuhkuum uumichiwaapim” (« My Grandmother’s Tipi ») is an exploration of the sensorial and textural...

A short tour of the sites to see in and around Tartu.

A series of short winter scenes.
Stretching along the river Ganges rests Varanasi, the holiest of India’s seven sacred cities, and a ...

Struggling with fear, tension, and anxiety amid the early stages of the COVID-19 pandemic, a high sc...

In the province of Salerno in Campania, a village is attracting more and more pilgrims, sometimes se...

Nathan Quinell is a fully trained chef… he also happens to be legally deaf and blind. That’s never s...
Behind the scenes of the animated short film.

Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deep...

In this experimental short film, Kristian Day collected artwork created by the public. He found the ...

Revisit the killer puppets and paranormal researchers, whose brain fluid they craved, with in-depth ...

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vaca...

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extrem...

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a t...