1940. On the border between Latvia and the USSR, a woman is killed in front of her house as she tried to protect her son from the liberating attack of the Soviets. Almost 80 years later, the archive photo bearing witness to this news item and representing a collateral victim of the European Union’s founding conflict forms the starting point for a journey undertaken by Davis Sīmanis. He navigates from one side to the other of this border, which today represents another separation, one that is geographical but also cultural: between Europe and Russia.

After the disappearance of Aldemar his wife decided to get overall uncertainty by including him in t...
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less hap...

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a...

The mind process behind the film, Transformers the Premake, explained by Kevin B Lee himself.
"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dism...

A provocative and poetic exploration of how the British people have seen their own land through more...

Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscove...

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produce...

Twenty-five films from twenty-five European countries by twenty-five European directors.
The women follows a woman's journey to redefine herself after her husband's death, navigating newfou...

The second part of the endless series about Moravia offers an even darker descent into the soul of M...

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, ...

An experimental short film, shot during the COVID-19 pandemic, made by one person. Using recorded sc...

A video essay by critic and filmmaker David Cairns examining Roger Corman’s adaptation of 'The Fall ...