People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a n...

In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country ar...

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soo...

Filmed for the most part from a low-flying aircraft, this documentary short presents a breathtaking ...

Music scores are atomized and recompiled into instructions for visual edits and cues. Ties are uncov...

Panasonic PV-GS83 in a plastic bag thrown in the ocean.

Single frames vectorized and stitched before processing through an analog EAB.

White Rock Lake Water Theater in Dallas, Texas. Sculpture by Frances Bagley and Tom Orr. Video compi...

In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Parad...

A short documentary about a homeless couple who face the ban on being on the street during 2020 quar...

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following t...

With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culina...

A short film made for "Venezia 70 - Future Reloaded". A homage to Paulo Rocha and Kenji Mizoguchi, f...

Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs i...

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film ...

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of ha...