Philipp Fleischmann develops special cameras designed to formulate specific relations between the material of the footage (16 or 35 mm film) and the object of the recording. For instance, in his 2013 project “Main Hall,” he deconstructs the main exhibition hall of the Viennese Secession, filming the exhibition architecture with 19 individual cameras and thus creating images that show the view of the exhibition space onto itself. Fleischmann’s recent work, “Untitled (Generali Foundation Vienna)" identifies the film camera as a spacial object-form by itself. Correlating with the history of artistic interventions on site, the object is placed in the former exhibition space of the Generali Foundation at Wiedner Hauptstrasse 15, Vienna, and provided with a cinematographic view.

Hiding inside&out, writhing about, taken out&in.

A story of broken humanity following the invasion of a technologically superior alien species. Bleak...

Don't ask me why, but I feel we're about to cry trying.

Say Om as you reach home only to realize you never really left/stopped saying Om.
"Filmed in 16mm and hand processed in a week at Phil Hoffman's Film Farm in Canada, this film was a ...

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Ot...

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape,...

Originality in a time of poorly made copies, a filmic inventory of a strange time, a kaleidoscope of...

From Winnipeg to Paris, from Montreal to the Philippines, the dash between "Filipino-Canadian" becom...

The idea of suspension is evoked on shifting registers – as levitation, cessation, preservation, and...

An homage to Chicago’s East 95th Street Bridge, Calumet Fisheries and to a couple of the city’s infa...

A flicker film made with images taken in Malawi. FF was in response to an assignment given by artis...

In support of experiences that are essentially common, but to which language does not easily adhere,...

In continuous motion with no end or barrier in its way.

This hand-painted step-printed film begins in a field of white light slightly bespeckled with epheme...