An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by mod...
Several Portuguese creators occupy the director's chair in this collective short film shot during th...
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Pe...
A video reconstruction of the 1977 Wooster Group production Rumstick Road, an experimental theater p...
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzli...
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique rev...
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film ...
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made t...
A first feature based on sexual events. An actress undertakes her desire of directing her first movi...
Taking its title from the poem by Wallace Stevens, the film is composed of a series of attempts at l...
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Ma...
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, th...
Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather t...
In 1992 the Universal Exhibition in Seville was held in Spain. Chile participated in this exhibition...
"My last image of Jonas."—Ken Jacobs
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms...
Something I know or something I was told? When something scalding translates something to behold.
Rather pointless, rather stilted, fetid; not what we want us going after.
Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last...
Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.