The Island is a short film shot entirely on Pulau Bidong, an island off the coast of Malaysia that became the largest and longest-operating refugee camp after the Vietnam War. The artist and his family were some of the 250,000 people who inhabited the tiny island between 1978 and 1991; it was once one of the most densely populated places in the world. After the United Nations High Commissioner for Refugees shuttered the camp in 1991, Pulau Bidong became overgrown by jungle, filled with crumbling monuments and relics. The film takes place in a dystopian future in which the last man on earth - having escaped forced repatriation to Vietnam - finds a United Nations scientists who has washed ashore after teh world’s last nuclear battle. By weaving together footage from Bidong’s past with a narrative set in its future, Nguyen questions the individual’s relationship to history, trauma, nationhood, and displacement.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzli...

A meditation on the human quest to transcend physicality, constructed from decaying archival footage...

Fog has a curious effect on cinema. On the one hand, it precludes the production of those images tha...

This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still...

WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with ...

This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of t...

This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's ...

Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of t...

After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I'v...

Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rh...

This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imi...

In continuous motion with no end or barrier in its way.
"The majority of my 8-mm works were made for the three-minute "Personal Focus" film special put on i...

A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of...

A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the c...

A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in res...