The season kicks off with Boitos resplendent retelling of Goethes Faust, a monumental work of 'choral grandeur and melodic richness' (The New York Times) in one of the most impressive productions ever seen at the War Memorial Opera House. The cast includes Ramón Vargas, a tenor 'in ravishing voice' (Financial Times), as the philosopher who sells his soul to the Devil; the 'luminous, compelling' Patricia Racette (Washington Post) as the woman he desires; and, in the vividly menacing title role, the 'seductively malevolent' bass-baritone Ildar Abdrazakov, a 'fullbodied bass-baritone' renowned for his 'wonderfully evil portrayals' (The New York Times).
A meditation on the female body as a source of both power and pain that focuses on the tragic figure...
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Lev...
Bregenzs Tales of Hoffmann is different from everything you saw before. The New York Times praised t...
La Rondine (The Swallow) is possibly the least performed of Giacomo Puccinis later operas, but is st...
Based on Gluck's masterpiece and performed entirely on location in and around the environs of the Ba...
What drives men and women to risk their own lives to save those of others? Fuoco Sacro tells the sto...
This occasionally off-the-wall but finely sung and colourfully staged La Cenerentola was Rome Opera’...
First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of L...
Macbeth" was Giuseppe Verdi's first attempt at music drama and also the first manifestation of his p...
Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of No...
Charming, light-hearted and fizzing with subversive wit, Neil Armfield's sparkling production of the...
Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa col...