La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the l...
The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hand...
Star soprano Anna Netrebko created a sensation in her first Met performances as the malevolent Lady ...
Although he is unanimously credited with having democratised opera, making it accessible to the grea...
Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical C...
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy...
Originally set in the 15th c century, Tchaikovsky's "The Enchantress" is updated to the present day ...
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singe...
The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in con...
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this sec...
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make...
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Lev...
Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last pla...
This hard-edged postmodern production of Giuseppe Verdi's haunting masterpiece brings the story of S...
At the beginning of 1964, the music world experiences something completely unexpected. Maria Callas ...
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fideli...
The film follows the staging of the opera Olimpiade while at the same time exploring the dramatic li...
Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval ...
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pag...