In 1950 architect Anthony B. Almeida was one of the first to introduce modern architecture in Tanzania. At that time architectural modernism was the preferred expression of the intended colonial welfare state. After Independence in 1961 Nyerere’s African socialism used the same architectural style to convey the hope and strength of the new African nation. Following Almeida and some of his colleagues, the film questions what is left of the dreams and ideals of this first generation. It searches for new definitions of happiness in booming African cities like today’s Dar es Salaam. The film documents the everlasting human pursuit of modernity, not only in architecture but also in contemporary urban life.
The memory of Piero Portaluppi, a Milanese architect who reached the peak of his fame during the 20 ...
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to ...
Take a look behind the curtain to see the vast history and recent renovation of one of Rochester, Ne...
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Diller Scofidio + Renfro has long been at the forefront of design with provocative exhibitions that ...
Having previously investigated the architecture of Hitler and Stalin's regimes, Jonathan Meades turn...
This documentary film goes beyond the walls and hedges of Mid-Century homes that were built in neigh...
Nominated for an Academy Award, this live-action short film playfully chronicles the construction of...
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'Magical Imperfection' tells the inspirational story of world-renowned Canadian architect Raymond Mo...
In 1960 Jane Goodall set out for Tanzania's remote Gombe Stream Game Reserve to study the behavior o...
A commissioned film for Schweizerischer Werkbund (SWB), Die neue Wohnung was produced for the Basel ...
In Tanzania there is a growing clandestine market for albino skin, bones and hair as ingredients in ...
A history of Bucharest, as seen in the light of the totalitarian architecture, having as leading ide...