The climactic scene of John Huston's Key Largo is fused with John Cage's 4'33", all dialogue is stripped away to reveal a cinema of movement, glances and inadvertent comedy.

Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin Ameri...

A dance of eclectic objects. A play of demented dolls, wheels, and geriatric clocks.

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent...

Lovely Pinky Malhotra is a heart-breaker in the college where she studies, and has a number of young...

Timo Novotny labels his new project an experimental music documentary film, in a remix of the celebr...

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to his...
A pre-internet mash-up that mixes “Peanuts” and David Lynch’s “Blue Velvet.”

This short, animated piece of agitprop fiercely expresses the hopes of the Chilean people.

A compact, full-color cut-out animation as ephemeral as the colors swimming on the surface of a soap...

We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Sp...

For the first time I am animating hand-painted engraved cut-outs on a full-color background. The fil...

An intimate look into the life of composer Mikis Theodorakis from 1987 until 2017: comprising three ...

Something takes us underground, where gods and monsters are active, amid the ruins of a world they m...

A critique of marketing speak in the commercial cartoon industry.

A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland...

Two teenage girls embark on a series of destructive pranks in which they consume and destroy the wor...

A ritual in the form of a film essay that explores, through collage, the sense of exile experienced ...

Three Nicaraguan-American artists from the Washington D.C. Metro area discuss growing up in two cult...

John DeMarsico’s showcase of the cinematic inspirations for the baseball broadcasts he directs at SN...