Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.
Humankind has always dreamt of the night sky. Of the infinite freedom offered by the black void, and...
"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the represent...
Algerian director Hamid Benamra turns his focus to Mustapha Boutadjine, a charming, mercurial collag...
Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of...
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's...
Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful us...
A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working...
Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown N...
Introducing the Ace Cinematic Universe
Three Nicaraguan-American artists from the Washington D.C. Metro area discuss growing up in two cult...
Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He someh...
Photos, animation, and music illustrate the story of the Beatles.
A young Colombian man receives a voice message from home while grappling with cultural differences a...
A haunting documentary on the pains of growing up male. It explores the inner and outer cruelties th...
A young woman was buried alive with the intention of killing, but she survived by chance. hears the ...
A young man tries to win the heart of the woman he likes, but not all goes to plan in this homage to...
In this videoart, the creator uses mixed media animation as they read a Clarice Lispector short stor...
Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin Ameri...