When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
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Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachi...
Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wi...
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Robert Lepage’s landmark staging of Wagner’s Der Ring des Nibelungen, unveiled over the course of th...
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The opera: Nina, o sia La Pazza Per Amore itself, is an extra-ordinary sad and touching story, and s...
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The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimac...
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singe...
Clay animation film by Guionne Leroy, based on the music of Henry Purcell's opera "King Arthur"
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The incomparable Luciano Pavarotti at his most eloquent brings Donizetti’s Nemorino to live as only ...