This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night ...
Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia de...
This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, a...
A lonely mother and her son go to the opera where a performance of Cherubini’s opera Medea is given....
Based on Ruggero Leoncavallo's opera Pagliacci. The film recounts the tragedy of Canio, the lead clo...
Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music D...
Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah War...
In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscori...
An interpretation of Georges Bizet's opera "Carmen," which is presented in an artful form with a twi...
Tan Dun portrays the Venetian explorer's travels to the Far East as a journey of both inner and phys...
This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanc...
Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story c...
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pag...
Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto b...
In Rigoletto, the deformed figure of the hunchbacked jester at the Mantuan court acts as a foil to h...
When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of...
Axel Kohler, the internationally renowned countertenor has brought Admeto into the modern era in tim...