The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

As renowned for its harmonious overture as for its romantic storybook characters, this three-act mas...

Violetta (337), a curious and cheeky fairy, gets lost in the human world. To find her way back to th...
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A Victor Hugo play, haunting and scandalous, provided the inspiration for Verdi’s mid-career masterp...
Politics and love leads to a love triangle between father, son and stepmother.

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Berlioz’s colossal masterpiece requires stupendous forces—dozens of soloists, enormous chorus, orche...

A disillusioned college graduate finds himself torn between his older lover and her daughter.

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An operatic film adaptation of the poem by Paul Laurence Dunbar of the same name.

With this DVD and Blu-ray of Rodelinda, one of Handel’s most emotionally complex operas, conductor E...

A bump on the head sends Hank Martin, 1905 auto mechanic, to Arthurian England, 528 A.D., where he i...