The city of Brasilia hoped to become, from its very architecture, the expression of modern urban conception and an egalitarian society. However, neither the workers hired to pursue this project, nor the constant migratory flow that took place from the beginning, fitted in the government’s plan. In 1971, it began what was known as the “Campaign to Eradicate Invaders”. Together with other locals, the director reflects on the history, the transformations and the future of this place where the hypocritical official jingle “A cidade é uma só!” is no longer heard.
Unpublished images and exclusive testimonies from the main figures in power who tell how they faced ...
In times of environmental crises and human beings’ growing alienation from nature, some thinkers are...
The protagonist of Dajori (mother in Romani) is forty-five-year-old Marie Hučková, who lives with he...
The director Tomáš Hlaváček is loosely building upon the time-lapse documentary Housing Against Ever...
French military man Adrien Dufourquet gets an eight-day furlough to visit his fiancée, Agnès. But wh...
During a work meeting at a hotel, Gustavo, a real player, meets the charming Letícia, who has an int...
Five teenage girls navigate the twists and turns of their complicated emotional lives, and learn the...
Long live the strike! Lucie Baud, one of the pioneers of the women's movement, went with creativity,...
Senator Arthur Alencar leads a double life. In the media and to his constituents, he portrays himsel...
Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric an...
Two teenage boys are cursed by a witch to swap bodies after an accidental encounter. To break the sp...
This autobiographical film documents an attempt at healing the trauma of touch between mother and ch...