Explores the life and work of the psychoanalytic theorist and activist Frantz Fanon who was born in Martinique, educated in Paris and worked in Algeria. Examines Fanon's theories of identity and race, and traces his involvement in the anti-colonial struggle in Algeria and throughout the world.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set ad...

This docu-fiction recounts the difficulties overcome by an ALN detachment whose perilous mission i...

"Yasmina" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl...

During a televised debate on the Algerian war in the early 1980s, Professor Paulet denounced the met...

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. ...

Three centuries of Venezuela's history as a Spanish colony are considered from economic, political a...

In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong...

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1...

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. T...

PsiQuis: Un Giro Decolonial is a documentary that presents and discusses the psychological impact th...

Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make ...

“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine...

Algiers, a few years after the civil war. Amal and Samir have decided to celebrate their twentieth w...

The Second World War. French authorities ban political parties and unions. In Algeria, the leaders o...

On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's in...

The Law of Silence, a final-year documentary by Moïra Chappedelaine-Vautier at Femis, examines the 1...

In this film, four key witnesses, who live in Algeria today, as full-fledged Agerians, show us what ...