Depicting the sun rising on a midwestern winter landscape filmed over 1 hour and 10 minutes, this film explores the relationship between natural light and the illusion of passing time through superimpositions and high framerates.

A seagull, a dog, a child, a call to prayer; Looking through a window, the corridor of a train, the...

Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way ...

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camarg...

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

To produce speech, a set of mechanisms must be brought together. What is the normal articulation for...

A hen questions the meaning of her life on a farm.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their resp...

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the F...

Sara and Alberto spend their days at home. They look out the window and watch: spring is approaching...

Using archival iPhone footage of both the places my father and I call home and our childhood photos,...

A homogeneous structure of wind and light across tree branches in the South region of Isère

This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugosl...

Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsu...

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mou...

An experience of a camera swinging in different gestures facing the optical distortion of the Sun. T...

People leave (and return) from a church after Sunday Mass more than 120 years ago. The creaking of t...

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s fi...