For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.
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The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, compo...
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Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obsc...
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Elijah Jamal Balbed grew up in Washington DC in the midst of one of its most difficult eras, as its ...
When the lights dim and the stage is revealed, Meschke channels life through the strings of his pupp...
By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance flo...
When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the ...