For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.
Rolland, a 70 year-old man, exiled by his family due to his sexual orientation, makes peace with the...
Animation pioneer Evelyn Lambart recalls arriving at the NFB in the 1940s, her celebrated collaborat...
In Bern, Madame Mercedes has been working for 35 years in her car as a prostitute. An intimate and s...
In 1976, Indonesian contemporary poet, Sutardji Calzoum Bachri, reads his poetry collection titled '...
Annedore takes care of orphan birds. They give her that which humans througout her turbulent life co...
Since her debut at the age of 18, musician, civil rights campaigner and activist Joan Baez has been ...
Interview with Jarl Kulle cut together with a summary of his career.
An in-depth look at the life and career of Bruce Willis, featuring never-before-seen photos and vide...
When the world was on fire, they called Hans Blix. This is how the Swedish diplomat is introduced in...
Heroine of the Halloween film series, or accomplice in a crazy scam in A Fish Called Wanda, Jamie Le...
Sigrid Koetse, award-winning actor and grande dame of Dutch theater, lived most of her life in the p...
By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance flo...