Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.

Centrist revelations abound among repetitions & revisitings.

Say Om as you reach home only to realize you never really left/stopped saying Om.

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

This cacophony runs over me, over everything I see, everything I want to see: it's me.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by mod...

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell...

Still it's really tall. Still it's really floundering/falling/fading.

Strings together what's strung together (please use yr tether).

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some ...

In his book "1984", George Orwell saw the television of the future as a control instrument in the ha...

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artis...

An anthology of surreal films by Patrick McGuinn featuring Vincent, a puppet who is obsessed with Tw...

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/d...

A tragic story of a musician taking a bold voyage in the pursuit of creation, ambition, and need. Le...

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique rev...

A conceptual live concert by Diamanda Galás, "Plague Mass" continues the themes of the suffering and...

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between s...

Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started fro...

In a nightmarish world, dominated by the decline and degradation of Man , Christ resurrected wanderi...