Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.
Something I know or something I was told? When something scalding translates something to behold.
WHAT YOU MEAN WE is a surreal short film by experimental artist Laurie Anderson.
Created entirely from YouTube videos and edited in Windows Movie Maker, Lopatin recomposes outmoded ...
A psychedelic, avant-garde collage film designed to accompany PRPL PPL's experimental album of the s...
Ground breaking music videos from some of the most influential bands of the 90s Punk/Grunge scene su...
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Mis...
10 minute experimental film. Warning: this video involves frequent strobing.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
Wax and wane until there is naught but boring pain.
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamat...
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artif...
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until t...