In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

The word “me” sinking into a bubbling puddle of metallic goo. The piece is about how narcissistic ar...

The model’s feet are uncomfortably squeezed into the heels, and her movements are slippery on slick ...

Placing a word widely acknowledged as amongst the most offensive in the English language into the ha...

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The portrayal of a gargantuan baby splashing through silver paint.

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Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, wi...

A compilation of TV news about black culture.

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After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked ...

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