In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the bea...

An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and...

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atla...

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A collection of memories from a tumultuous time at University.

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Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscove...

Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, wi...

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, P...