In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is mea...

A wall-painting on Earth is too terrifying to exist, so unknown forces remove it.

A student moves into their accomodation, only to find their room already decorated, a strange, inhum...

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The model’s feet are uncomfortably squeezed into the heels, and her movements are slippery on slick ...

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Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within...

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After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked ...

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Ten years after the death of iconic French filmmaker, Chris Marker. A filmmaker, hoping to rediscove...